Ageing misfit Sir Morosus lives alone in an old-style apartment in Charlottenburg in Berlin. He is wealthy, but also lonely and a bit grumpy. Then his nephew Henry moves in with him and his life takes a turn for the better. Director Jan Philipp Gloger homes in on two of the most pressing problems of the day: loneliness and the housing shortage. The Staatskapelle Berlin is conducted by Christian Thielemann.

When Strauss and Hofmannsthal wrote «Der Rosenkavalier» – setting it in an imaginary Rococo Vienna and yet closely linked to the decadent fin de siècle – they created a profound social comedy. It is not without melancholy that the Marschallin lets her young lover Octavian go when he falls head over heels with Sophie, who hails from Faninal’s bourgeois household. As voluptuous as Strauss' score is, it contains tender moments of dream and melancholy. Director Lydia Steier stages Strauss’ opera according to an aesthetic concept by Austrian artist Gottfried Helnwein. Diana Damrau sings the Marschallin. Joana Mallwitz, chief conductor at the Konzerthaus Berlin, conducts the Orchester der Oper Zürich.

Intrigue, champagne, and irony: in a production directed by Barrie Kosky, the Bavarian State Opera presents a sparkling production of Johann Strauss II's Die Fledermaus.

French thriller written by Jean-Claude Carriere.

The composer Richard Strauss (1864-1949) is still a shining light today. But behind his radiant aura lies a dark shadow. His life was full of contradictions. During the "Third Reich", he was president of the Reich Chamber of Music and at the same time protector of the Jewish part of his family. Who was this Richard Strauss?

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After marrying the emperor of the south-eastern islands, the daughter of the king of the spirits lost her magical powers without acquiring the shadow that would seal her place in the human world. Under the baton of Klaus Mäkelä, Barrie Kosky transforms Strauss’s most ambitious opera into an allegory of the awakening of consciousness.

A staging of Verdi's opera '"Falstaff" by Calixto Bieito. Recorded at the Hamburg State Opera.

A year has passed since the young Emperor went hunting with his falcon and captured the Peri, who was in the form of a gazelle, and married her. She is still all light, neither human nor a spirit, and if after three more days she casts no shadow, she must return to Keikobad and the Emperor will turn to stone. Since she cannot bear children unless she can find a human shadow, she asks the strange Nurse for help. The Nurse, who controls weird magics, brings her to the discontented household of Barak, a dyer, and his Wife. The Nurse attempts to purchase the Wife`s shadow by promising her riches, an idyllic life, and a young lover. The Wife resists three times, and the Baraks are cast into an underground vault. The characters wander through eerily exotic settings while they recover their consciences, and all ends happily.